In asking whether or not there are meaningful universals in music, researchers compiled two catalogs – the Natural History of Song (NHS) Ethnography which contains ethnographic descriptions of song performances collected from eHRAF World Cultures, and the NHS Discography, which contains field recordings of performances of dance, healing, love, and lullaby. Using these two corpora, the study tests a variety of hypotheses about the universality and variability of both music behavior and music form. Specifically, whether there are meaningful universals in meaning and sound. The catalog of published sound recordings was analyzed by machine summaries, listener ratings, and manual transcriptions, which revealed that there were identifiable features of songs which could then predict their primary function cross-culturally. The results as a whole revealed that the existence of music is a cultural universal, and that the variation within music can be characterized by three factors assessing the formality, arousal, and religiosity of the song events. They also found that musical behavior varies more within societies than between them.

This paper hypothesizes that cross-cultural variation in rhythm is related to variation in infant carrying practices. Suggestions are made regarding the psychological origin of rhythm as well as the function and importance of music in human experience.

This chapter tests the influences of physiological stressors during infancy on different aspects of musical behavior. Findings suggest that songs in societies where infantile stress is practiced will be characterized by stronger accents and a wider range.

This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

This study explores the prevalence of group singing and its relationship with changes in social organization's participatory dynamics, precisely community size and social differentiation. The authors use two samples: 1) 5776 audio recordings from 1024 societies and 2) 4709 ethnographic texts from 60 societies. There is significant support that group singing is more prevalent than solo singing. The results also show that community size predicts group singing in only one of the samples (GJB). However, there is no significant support for social differentiation as a predictor of group singing.

By testing relationships between musical, geographic, genetic, and linguistic distance among nine indigenous groups in Taiwan, the researchers aim to quantitatively evaluate a developing theory of coevolution between these traits. An especially strong correlation between musical variability and genetic distance suggests that music may possess worldwide time depth, diversity, and universality equal to or greater than that of language, and could thus serve as a complementary marker for reconstruction of long-term population shifts.

This study is a continuation of previous research on the relationship between stress during infancy and adult height. With a better understanding of the stressors that infants experience and their effects, the authors test whether the relationship between stress and adult height remains significant when accounting for other environmental factors that may influence adult height. Results suggest that the relationship between infant stress and adult height does remain significant. Findings also show a relationship between infant stress and age at menarche.

The author reanalyzes hypotheses proposed by Lomax et al. (1968) that are based on Lomax's collection of cantometric data. Considering historical/regional variables, the author suggests that difusion and common history better explain certain musical features such as wordiness than functional and evolutionary processes. However, other Lomax findings are supported involving interlocked, contrapuntal singing and narrow nasal-voiced singing.