Found 699 Hypotheses across 70 Pages (0.042 seconds)
  1. Representations of threatening facial features will use angular and diagonal patterns (88).Aronoff, Joel - How we recognize angry and happy emotion in people, places, and things, 2006 - 2 Variables

    This article presents a series of tests done to determine which geometric patterns in the features of masks, classical ballet, and 17th-century Dutch art evoke emotions of threat. Results suggest that diagonal and angular forms evoke emotions of threat.

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  2. In 17th-century Dutch art, threatening configurations will take meaning from diagonal and angular forms and happy and intimate configurations take meaning from curved forms (99).Aronoff, Joel - How we recognize angry and happy emotion in people, places, and things, 2006 - 2 Variables

    This article presents a series of tests done to determine which geometric patterns in the features of masks, classical ballet, and 17th-century Dutch art evoke emotions of threat. Results suggest that diagonal and angular forms evoke emotions of threat.

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  3. Movements in classical ballet will use angular and diagonal spatial forms to convey threat and use rounded spatial forms to convey affection and warmth (93).Aronoff, Joel - How we recognize angry and happy emotion in people, places, and things, 2006 - 2 Variables

    This article presents a series of tests done to determine which geometric patterns in the features of masks, classical ballet, and 17th-century Dutch art evoke emotions of threat. Results suggest that diagonal and angular forms evoke emotions of threat.

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  4. "Diagonal lines and acute angles [will] elicit subjective emotional responses associated with threat, in comparison to the more positive emotional response evoked by curved or straight lines " (89).Aronoff, Joel - How we recognize angry and happy emotion in people, places, and things, 2006 - 2 Variables

    This article presents a series of tests done to determine which geometric patterns in the features of masks, classical ballet, and 17th-century Dutch art evoke emotions of threat. Results suggest that diagonal and angular forms evoke emotions of threat.

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  5. "Within a diverse set of cultures, masks used to convey threat would more frequently use the components of (previously identified) threatening facial displays than would masks used to convey positive emotions" (85).Aronoff, Joel - How we recognize angry and happy emotion in people, places, and things, 2006 - 1 Variables

    This article presents a series of tests done to determine which geometric patterns in the features of masks, classical ballet, and 17th-century Dutch art evoke emotions of threat. Results suggest that diagonal and angular forms evoke emotions of threat.

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  6. Pressure to obey in child-rearing is positively associated with art with long lines and large figures as well as sharp, prominent figures (219)Zern, David - The relationship of pressure toward obedience to production in art and music..., 1983 - 3 Variables

    Child-rearing practices are tested for a relationship to art and music characteristics in a cross-cultural sample.

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  7. Pressure to obey in child-rearing is positively related to a series of variables in art complexity (216, 219).Zern, David - The relationship of pressure toward obedience to production in art and music..., 1983 - 2 Variables

    Child-rearing practices are tested for a relationship to art and music characteristics in a cross-cultural sample.

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  8. Sexual anxiety is associated with straight line dominant art (38)Gray, J. Patrick - Male security and art style in traditional societies, 1981 - 2 Variables

    This paper suggests that Fischer's (1961) "male security" variable is not adequate. Cross-cultural analyses suggest that male security in the realm of father-son interaction may be more important than male security in the realm of heterosexual interaction in explaining the line shape preference of a society.

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  9. Menstrual taboos are associated with straight line dominant art (38)Gray, J. Patrick - Male security and art style in traditional societies, 1981 - 2 Variables

    This paper suggests that Fischer's (1961) "male security" variable is not adequate. Cross-cultural analyses suggest that male security in the realm of father-son interaction may be more important than male security in the realm of heterosexual interaction in explaining the line shape preference of a society.

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  10. Complexity and representativeness of design in art will be correlated with severity of socialization (381, 382).Barry III, Herbert - Relationship between child training and the pictorial arts, 1957 - 3 Variables

    This study tests for a correlation between severity of socialization and style of art among a sample of nonliterate societies. Typical personality is thought to provide an explanation for these linkages.

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