The authors develop CantoCore, an expansion of Lomax's Cantometrics scheme, in order to code for additional candidate musical universals. No musical feature occurs with absolute universality, but several features occur with statistically significant frequency after controlling for historical relatedness, and an additional set of features were found to be universally related to each other. The authors highlight the role of these features in human coordination and cohesion, as well as their their utility to the fields of musical cognition and evolution.

Using the compiled database "Seshat: Global History Databank," researchers sampled 30 societies from 10 distinct regions of the world, testing 51 variables that were condensed into 9 "complex characteristic" variables. Researchers tested for correlates in how societies evolve structurally. Utilizing principal component analysis it was demonstrated that the complex characteristic variables were strongly associated, leading to theorization of structural and social evolution predictability.

Music is a universal but diverse human trait. Using a dataset of 5,242 songs from 719 societies, this study identifies five major dimensions of musical diversity that show patterned geographic and historical structure. The authors then use these dimensions to ask whether they are related to genetic and linguistic relationships from 121 societies. Musical similarities are found to be only weakly related to language or genetic relationships, with stronger links only in certain regions such as Southeast Asia and sub-Saharan Africa with further analysis showing largely vertical transmission across generations. Overall, global musical traditions appear largely independent from genetic and linguistic histories.

Music is a universal but diverse human trait. Using a dataset of 5,242 songs from 719 societies, this study identifies five major dimensions of musical diversity that show patterned geographic and historical structure. The authors then use these dimensions to ask whether they are related to genetic and linguistic relationships from 121 societies. Musical similarities are found to be only weakly related to language or genetic relationships, with stronger links only in certain regions such as Southeast Asia and sub-Saharan Africa with further analysis showing largely vertical transmission across generations. Overall, global musical traditions appear largely independent from genetic and linguistic histories.

Music is a universal but diverse human trait. Using a dataset of 5,242 songs from 719 societies, this study identifies five major dimensions of musical diversity that show patterned geographic and historical structure. The authors then use these dimensions to ask whether they are related to genetic and linguistic relationships from 121 societies. Musical similarities are found to be only weakly related to language or genetic relationships, with stronger links only in certain regions such as Southeast Asia and sub-Saharan Africa with further analysis showing largely vertical transmission across generations. Overall, global musical traditions appear largely independent from genetic and linguistic histories.

Music is a universal but diverse human trait. Using a dataset of 5,242 songs from 719 societies, this study identifies five major dimensions of musical diversity that show patterned geographic and historical structure. The authors then use these dimensions to ask whether they are related to genetic and linguistic relationships from 121 societies. Musical similarities are found to be only weakly related to language or genetic relationships, with stronger links only in certain regions such as Southeast Asia and sub-Saharan Africa with further analysis showing largely vertical transmission across generations. Overall, global musical traditions appear largely independent from genetic and linguistic histories.

Music is a universal but diverse human trait. Using a dataset of 5,242 songs from 719 societies, this study identifies five major dimensions of musical diversity that show patterned geographic and historical structure. The authors then use these dimensions to ask whether they are related to genetic and linguistic relationships from 121 societies. Musical similarities are found to be only weakly related to language or genetic relationships, with stronger links only in certain regions such as Southeast Asia and sub-Saharan Africa with further analysis showing largely vertical transmission across generations. Overall, global musical traditions appear largely independent from genetic and linguistic histories.

Music is a universal but diverse human trait. Using a dataset of 5,242 songs from 719 societies, this study identifies five major dimensions of musical diversity that show patterned geographic and historical structure. The authors then use these dimensions to ask whether they are related to genetic and linguistic relationships from 121 societies. Musical similarities are found to be only weakly related to language or genetic relationships, with stronger links only in certain regions such as Southeast Asia and sub-Saharan Africa with further analysis showing largely vertical transmission across generations. Overall, global musical traditions appear largely independent from genetic and linguistic histories.

In asking whether or not there are meaningful universals in music, researchers compiled two catalogs – the Natural History of Song (NHS) Ethnography which contains ethnographic descriptions of song performances collected from eHRAF World Cultures, and the NHS Discography, which contains field recordings of performances of dance, healing, love, and lullaby. Using these two corpora, the study tests a variety of hypotheses about the universality and variability of both music behavior and music form. Specifically, whether there are meaningful universals in meaning and sound. The catalog of published sound recordings was analyzed by machine summaries, listener ratings, and manual transcriptions, which revealed that there were identifiable features of songs which could then predict their primary function cross-culturally. The results as a whole revealed that the existence of music is a cultural universal, and that the variation within music can be characterized by three factors assessing the formality, arousal, and religiosity of the song events. They also found that musical behavior varies more within societies than between them.

In asking whether or not there are meaningful universals in music, researchers compiled two catalogs – the Natural History of Song (NHS) Ethnography which contains ethnographic descriptions of song performances collected from eHRAF World Cultures, and the NHS Discography, which contains field recordings of performances of dance, healing, love, and lullaby. Using these two corpora, the study tests a variety of hypotheses about the universality and variability of both music behavior and music form. Specifically, whether there are meaningful universals in meaning and sound. The catalog of published sound recordings was analyzed by machine summaries, listener ratings, and manual transcriptions, which revealed that there were identifiable features of songs which could then predict their primary function cross-culturally. The results as a whole revealed that the existence of music is a cultural universal, and that the variation within music can be characterized by three factors assessing the formality, arousal, and religiosity of the song events. They also found that musical behavior varies more within societies than between them.