By testing relationships between musical, geographic, genetic, and linguistic distance among nine indigenous groups in Taiwan, the researchers aim to quantitatively evaluate a developing theory of coevolution between these traits. An especially strong correlation between musical variability and genetic distance suggests that music may possess worldwide time depth, diversity, and universality equal to or greater than that of language, and could thus serve as a complementary marker for reconstruction of long-term population shifts.

Music is a universal but diverse human trait. Using a dataset of 5,242 songs from 719 societies, this study identifies five major dimensions of musical diversity that show patterned geographic and historical structure. The authors then use these dimensions to ask whether they are related to genetic and linguistic relationships from 121 societies. Musical similarities are found to be only weakly related to language or genetic relationships, with stronger links only in certain regions such as Southeast Asia and sub-Saharan Africa with further analysis showing largely vertical transmission across generations. Overall, global musical traditions appear largely independent from genetic and linguistic histories.

By testing relationships between musical, geographic, genetic, and linguistic distance among nine indigenous groups in Taiwan, the researchers aim to quantitatively evaluate a developing theory of coevolution between these traits. An especially strong correlation between musical variability and genetic distance suggests that music may possess worldwide time depth, diversity, and universality equal to or greater than that of language, and could thus serve as a complementary marker for reconstruction of long-term population shifts.

By testing relationships between musical, geographic, genetic, and linguistic distance among nine indigenous groups in Taiwan, the researchers aim to quantitatively evaluate a developing theory of coevolution between these traits. An especially strong correlation between musical variability and genetic distance suggests that music may possess worldwide time depth, diversity, and universality equal to or greater than that of language, and could thus serve as a complementary marker for reconstruction of long-term population shifts.

Genetic, linguistic, and geographic data can be used to explain the distribution of cultural units ("semes") and to understand the evolutionary mechanisms of culture. Three broad models of cultural transmission attempt to explain why cultures share semes: (1) Cultural diffusion, emphasizing horizontal transmission. (2) Local adaptation, where trail-and-error learning leads to the independent adoption of semes by different peoples living in similar environments. (3) Demic diffusion, which emphasizes vertical and frequency-dependent transmission. Authors test the explanatory power of each model using cultural, genetic, linguistic and geographic data from 36 African cultures.

Genetic, linguistic, and geographic data can be used to explain the distribution of cultural units ("semes") and to understand the evolutionary mechanisms of culture. Three broad models of cultural transmission attempt to explain why cultures share semes: (1) Cultural diffusion, emphasizing horizontal transmission. (2) Local adaptation, where trail-and-error learning leads to the independent adoption of semes by different peoples living in similar environments. (3) Demic diffusion, which emphasizes vertical and frequency-dependent transmission. Authors test the explanatory power of each model using cultural, genetic, linguistic and geographic data from 36 African cultures.

Genetic, linguistic, and geographic data can be used to explain the distribution of cultural units ("semes") and to understand the evolutionary mechanisms of culture. Three broad models of cultural transmission attempt to explain why cultures share semes: (1) Cultural diffusion, emphasizing horizontal transmission. (2) Local adaptation, where trail-and-error learning leads to the independent adoption of semes by different peoples living in similar environments. (3) Demic diffusion, which emphasizes vertical and frequency-dependent transmission. Authors test the explanatory power of each model using cultural, genetic, linguistic and geographic data from 36 African cultures.

Dopamine receptor D4 (DRD4) exhibits the largest number of polymorphisms of any dopamine receptor yet identified, and variation in DRD4 has been linked to variation in traits such as novelty-seeking and attention deficit/hyperactivity disorder. DRD4 also exhibits large variation between populations. Here, the authors test the hypothesis that natural selection acting on DRD4 may account for variation in between-population migratory patterns, using genetic and historical data from 39 populations.

Dopamine receptor D4 (DRD4) exhibits the largest number of polymorphisms of any dopamine receptor yet identified, and variation in DRD4 has been linked to variation in traits such as novelty-seeking and attention deficit/hyperactivity disorder. DRD4 also exhibits large variation between populations. Here, the authors test the hypothesis that natural selection acting on DRD4 may account for variation in between-population migratory patterns, using genetic and historical data from 39 populations.

Music is a universal but diverse human trait. Using a dataset of 5,242 songs from 719 societies, this study identifies five major dimensions of musical diversity that show patterned geographic and historical structure. The authors then use these dimensions to ask whether they are related to genetic and linguistic relationships from 121 societies. Musical similarities are found to be only weakly related to language or genetic relationships, with stronger links only in certain regions such as Southeast Asia and sub-Saharan Africa with further analysis showing largely vertical transmission across generations. Overall, global musical traditions appear largely independent from genetic and linguistic histories.